Someday I will complete this review by writing about the second season. I loved it but it was quite different–much more mythic and occult rather than high-tech, with Max being a sort of Messiah. I borrowed it and didn’t get to hear the commentary explaining where the show was going. My suspicion is that the new bad guys in season two turn out to have been behind the terorist pulse attack…. But I’m going to completely miss the point of this entry if I continue. My general feel is that in a perfect world season two would have been season four allowing for some more gradual transitions.
But I wanted to write a note about gender relationships in this show and others. There is a lot of male bashing in the beginning of season one, and one could easily think the show was nothing but a girls rule/boys drool t-shirt. But things get more complicated. Logan Cale (Freudian slip report: I originally typed “Riley” throughout) is a true hero (though he has massive pride issues that almost lead him to suicide). In the end, the differences between him and Max seem rather traditional. Max’s concerns are all domestic–how to make a living and keep it. Riley is all about saving the world. Max both admires this and is frustrated by it, especially when Logan impoverishes himself for the sake of revealing the truth.
I think viewers will agree that the theme, once you get beyond the gunge youth culture show case, is ultimately that “a good man is hard to find and even harder to recognize no matter how obvious.” And this brings me to my point.
Here is an analogy: I used to work for Coral Ridge Ministries and have to read the regular newsletters we received in the early nineties. Don Wildmon’s AFA Report was one of many and it constantly showed the anti-Christian stereotypes present in various movies and TV shows. Many, as I recall, were evil pastors, sociopathic and murderous clergy. Now, I agree that such an extensive negative portrayal is a bad thing in our culture but I began to question if this was really motivated to produce such a result. Mysteries and crime dramas, etc, need really repulsive villains and one builds repulsivity by presenting the audience with horrible inversions. An evil sociopath is horrible but an ordained evil sociopath is the antichrist.
That’s the analogy now for the payoff with SuperHeroines. First remember that in all “action shows” the bottom line is melodrama. Some people like their soap operas without a lot of hand-to-hand violence, but not me. But the soap opera is still the basic thing at least in a successful TV series (was the fact that Witchblade was more a pure action show part of the reason it didn’t do well?).
And this is why female supers are inherently more interesting than males. In principle, a male superhero could simply kiss his wife goodbye and hug his children before leaving for work. Despite Peter Parker’s anxiety, this could work. But a woman comes with built in melodrama. She has a whole host of gender-role issues to deal with as she makes her way in the world. This is drawn out expecially in Dark Angel where Max’s prospective male interest is paralyzed from the waist down.
Egalitarianism may be the reigning philosophy, but the bottom line is that everyone knows relationships are more complicated than that.